A chaotic nightmare dream sequence set within a dystopian city landscape. We find ourselves amidst a psychedelic haze, on the roof of a tower block, staring out into the neon and grey of the city vistas. The song is a testimony to finding oneself completely lost within a moment of desperation. The spiralling sensations of both the known and unknown, of the remembered, the current and the impending; a myriad of emotions crashing in waves. Featuring an intro that might fit an Interpol track, the composition subsequently crashes into six/four time, guiding us on a hypnotic journey of undulating sub bass and waves of crescendoing guitars and synth parts.
Morti Viventear Decacremix:
The much sought after Montreal-based producer Morti Viventear goes to work on his sinister Decacremix; expertly twisting the track into a down-tempo four/four exercise in moody grindhouse atmospherics, creeping melodies and crunchy breakbeats. An absolute must.
Soon-to-be legendary German producer Dot brings mayhem and fire to his reinterpretation of the Black Monoliths, delivering a remix that blends noise-rap crunch with ethereal electronica, before finally going to town with a huge post-rock finish; all immaculately crafted to the last detail.
Album 'Field Reports From The Western Lands'
Out 30th March 2018
(Limited Box, 2xLP, Book, Digital)
supported by 4 fans who also own “Black Monoliths Over New Jerusalem”
In response to some lyrics from “wire cutters,” I can’t speak for all anarcho-primitivists, but I don’t believe all primitive anarchists want everyone to starve. Our current capitalist system is untenable, and because of capitalist commodification of earth, everyone will eventually starve when the earth is totally plundered. The sooner rewinding and reclamation of our pre-civ lives happens, the fewer who will starve. Just my 2 cents.... matt von d